Rosalind Whitman
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1 Making clay bole for gilding
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2. Application of the bole layers to gesso panel
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3. Applying gold leaf to panel
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4. Panel with burnished sky, unburnished mountains and stamped haloes
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5. Commencement of the underpainting
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6. Developing tonal values
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7. The underpainting in progress
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8. Annunciation and Visitation with gilded frame